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Address: Shaanxi Province, Xi’an City, Yanta Road, #70

A Tang-triple-color ceramic camel that carries a small musical band on its back with a female performer standing in the middle singing and dancing

The Shaanxi History Museum is situated on Yan Ta Road in Xi’an City, Shaanxi Province. It covers 65,000 square meters, with a building area of 60,000 square meters. The newly built modern building recreates Tang-dynasty architecture and successfully symbolizes the great extent of Shaanxi history and its remarkable culture.

Exhibited in the main exhibition hall are 2,700 works of art, with an exhibition line that extends 2,300 meters. The exhibition space is divided into an introductory hall, permanent exhibitions, special exhibitions, and temporary exhibitions, as well as one that has been named the National Painting Hall.

The Museum’s permanent exhibition primarily displays Shaanxi’s ancient history. Representative pieces from all periods have been selected to show the development of civilization in this region. The exhibition space of this display is 4,600 square meters. It includes three exhibition rooms, divided into seven parts (Prehistory, Zhou, Qin, Han, Wei-Jin-North and South dynasties, Sui-Tang, and Song-Yuan-Ming-Qing). The superlative 2,000 selected objects include: painted Neolithic ceramics reflecting early people’s living conditions and their pursuit of vibrant art forms, bronzes
reflecting the rise of Zhou people, bronze weapons including swords, and statuary of horses and soldiers, reflecting the

A Tang-dynasty gold bowl with lotus petal carving unearthed in Xian

way in which Qin unified all under heaven, Tang-dynasty gold and silver objects and Tang sancai ceramics, reflecting the most flourishing period of feudal glory. All of this is accompanied by models of archaeological sites, and drawings, and photographs.

These works systematically exhibit the ancient history of Shaanxi from 150,000 years ago to the year 1840. Since several historical periods all based their capitals on Shaanxi territory, such
as Zhou, Qin, Western Han, Sui and Tang, the exhibits emphasize these periods and these places.
This not only expresses the extent of culture in ancient Shaanxi, it also displays the highest level of cultural development of China’s social economy.

A bronze ox zun (a kind of ancient wine vessel) of the Western Zhou
Dynasty unearthed in Qishan County,
Shaanxi Province.

The temporary exhibits hall, located on the east side of the museum, has had a variety of exhibitions including Tang-tomb wall paintings, that is to say 39 of the actual paintings. Shaanxi’s wall murals of this kind rank first in the entire country. They are fluid in concept and line, they have marvelous details, and they both depict Tang customs and are superb works of art. The special exhibition hall is located on the west side of the museum. Its first two exhibitions were a Shaanxi bronzes exhibit (260 were on display) and a Shaanxi-through-the-dynasties terracotta masterpieces exhibit (341 objects were exhibited). The area of this hall is around 2,600 square meters.

The Shaanxi History Museum contains 115,000 objects in its collections. The more representative of these include bronzes, Tang-dynasty tomb wall paintings, terracotta statuary, ceramics (pottery and porcelain), construction materials through the dynasties, Han and Tang bronze mirrors, and coins and currency, calligraphy, rubbings, scrolls, woven articles, bone articles, wooden and lacquer and iron and stone objects, seals, as well as some contemporary cultural relics and ethnic objects.

Mao Gong ding ( a kind of ancient vessel)

Address: Taiwan, Taipei City, Shilin Wai Shuangxi Zhishan Lu Er Duan, #221

The Taipei Palace Museum is located in the northwestern part of Taipei City, facing Shuangxi Park and surrounded by verdant trees and rolling hills. The palace was constructed as a replica of the Beijing Palace Museum. It has an area of more than 10,000 square meters and is grand and imposing in haracter.

Approximately some 620,000 historical items and works of art are stored here, in a magnificent four-storied building. The construction of the Taipei Palace Museum was begun in 1962 and completed in the summer of 1965. Some 240,000 of the items that are kept here originally belonged to the Beijing Palace Museum.In 1949, 3,824 crates of objects were moved to Taiwan. Among these were the great treasures of ‘hua-xia,’ a term that also means China, but in a more comprehensive cultural sense, including Shang and Zhou bronzes, jades, works of calligraphy from Jin and Tang dynasties onward, paintings from Tang and Song dynasties onward, ceramics from famous kilns from Song and Yuan dynasties onward, bamboo items, rare books, documents from the Qing dynasty, as well as sculptures, jades, lacquer works, enamels, and so on.

Most of the items on display are shown in the main building of the museum. This building is divided into four levels, with

The jade Chinese cabbage displayed in the Taipei Palace Museum

the main entrance being on the second floor. The great hall of the second floor has a bronze bust of Sun Zhongshan (Sun Yatsen), made as a replica of the one in Nanjing at Sun Yatsen’s tomb. All around this sculpture hang very famous paintings and works of calligraphy; in the corridor leading to Sun Yatsen are two of the most famous long scrolls in the history of Chinese art.

Several national treasures are on the must-see list for visitors. Among these is the Mao Gong ding dating from Western Zhou, unearthed during the latter years of the Qing dynasty in the Daoguang reign (1850) in the province of Shaanxi. The height of this ding is 53.8 centimeters and its diameter is 47.9 centimeters. It has three legs or feet and two upright handles or ears. Its ornamentation is very simple as is the exterior. On the inside of the Ding is an inscription of 491 characters – the longest inscription of any known Chinese bronze.

A large number of calligraphies and paintings by famous painters are exhibited in the Taipei Palace Museum. These include Li Gonglin (1049-1106, notable Song-dynasty painter), Chen Juzhong (years of birth and death unclear, a Southern-Song painter), Qiu Ying (around 1509-1551, a Ming-dynasty painter), Wang Hui (1632-1717, an early Qing-dynasty painter), Fan Kuan (around 950-1027, Song-dynasty painter), Guo Xi (1023-around 1085, Song-dynasty painter), Wang Xizhi (303-361) and so on.
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Lu Ban, also as known as Gongshu Ban, was a renowned carpenter of the Lu State during the Spring and Autumn Period and the Warring States Period. The social changes made artisans gain some freedom and the wide use of ironware provided favorable conditions for the development of handicraft technology. In the respect of tool innovation and workmanship, Lu Ban found his own way to distinction ancient books recorded his deeds in tool innovation and fabrication of various kinds of utensils for daily use, such as the yinkuo (an appliance used for straightening out lumber) and shovel.

Lu Ban was originally a carpenter but it had already been said in the ancient times of China that he was also engaged in other workmanships, such as coppersmith, stonemason, etc. According to the legend circulated in the Han Dynasty, Lu Ban was said to carve and paint the crossbeams of the palace in Luoyang and build a bridge in the vicinity of Chang’an. Afterwards, this kind of legend increased day by day at various places and people took not too much notice whether there legends were in conformity with Gongshu Ban’s history during the Warring States Period but instead they took Lu Ban as an ideal character of skilled artisan. For uplifting the notability of their respective trade, many trades such as carpenter, bricklayer, stonemason, shipbuilder, vehicle fabricator, etc. all consecrated Lu Ban as the founder of their respective trade. As a result, the phenomenon “artisans of all crafts consecrate Lu Ban” occurred.